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Dick Groat is presented in Helmar’s T4 series with Pittsburgh in a composed right-handed batting stance, his feet set apart and the bat held high across his shoulder as he studies the pitcher. The cream Pirates uniform, dark sleeves, black cap with gold “P,” and striped stockings establish the Pittsburgh identity clearly, while Groat’s upright posture and closely gathered hands suggest a hitter concerned more with timing and placement than with producing an exaggerated power swing. The quiet pose is particularly appropriate for a player whose offensive value came from contact hitting, intelligent use of the field, and consistent ability to put the ball in play.

The original artwork was painted by Natalia Valiukavich in watercolor. The painting is a good example of how a comparatively simple batting pose can be made convincing through weight distribution. Groat’s front leg is nearly straight while the rear knee remains softer, creating the slight backward loading of the body that precedes the swing. The bat continues that movement upward and behind the shoulders, forming a diagonal that prevents the tall figure from becoming static. Valiukavich keeps the cream uniform relatively light but introduces subtle cool and warm shadows where the fabric gathers at the waist, knees, and elbows. In contrast, the black sleeves, cap, shoes, and striped stockings define the major structural points of the body. The distant buildings, trees, field structures, and figures are deliberately softened, demonstrating the watercolor principle of reducing edge definition and detail as forms recede into space.

Richard Morrow “Dick” Groat was one of the outstanding shortstops of the 1950s and early 1960s and an unusual two-sport athlete. A collegiate star at Duke, he played professional basketball as well as baseball early in his career, appearing in the NBA with the Fort Wayne Pistons before concentrating fully on the diamond. With Pittsburgh, Groat developed into a skilled defensive shortstop and exceptional contact hitter whose ability to control the bat made him an important part of the Pirates’ improving clubs of the late 1950s.

Groat enjoyed his greatest season in 1960, when he won the National League batting championship with a .325 average and was named the league’s Most Valuable Player. He helped Pittsburgh defeat the New York Yankees in the 1960 World Series and later became an important member of the St. Louis Cardinals, helping that club win another World Series championship in 1964. Groat was selected to eight All-Star Games and finished his fourteen-season major-league career with 2,138 hits and a .286 batting average.

Numbered #66, the Groat card presents one of Pittsburgh’s central figures from its 1960 championship club in a restrained batting pose well suited to his reputation as a disciplined contact hitter. The high bat, compact hand position, black-and-gold Pirates accents, and softly receding ballpark landscape give card #66 a balanced and traditional character within the T4 series. Groat’s 1960 National League MVP Award and batting title, 2,138 career hits, eight All-Star selections, and championships with both Pittsburgh and St. Louis give him substantial historical and collector interest.

Original watercolor artwork by Natalia Valiukavich.

 

  • Description: In practice batting circle, batting stance
  • Team: Pittsburgh Pirates
  • Population (# Sold): 17
  • First Date Sold: 2023-01-11
  • Latest Date Sold: 2026-07-21
  • Card Status: Active
  • # Sold in past year: 4
  • Highest Auction: $ 41.00
  • Average Auction Result: $ 18.29

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